PRINT

 

Symmetrical gesture mask on astro turf green
computer illustrated, high res digital print
2019, by Pseudonym

24" x 24" framed (18" x 18" print)

Mask Primes 
2017

1600dpi inkjet test print of vector illustration

by Pseudonym
26"x40"

9112017

2017, collage, dazzle halftone screen print

by Pseudonym
22"x30"​

Porno Crypto 

2017, lenticular animated print, edition of 1
24"x36"

 

6 frame animation of vintage porn scavenged from a vhs recording and then digitally recreated the effect of scrambled cable pay television channels of the late 80s and early 90s. Commissioned by a local patron in Toronto

Mask A, B, C, D
2015
Masks inspired by the early avatars carved as expressive screens of our ancestors, now replaced by screens of a different, electronic kind. Fine lines interlace and create the illusion of depth and disrupted signals, emulating the monochrome pulse of the television tube, the radar, and the oscilloscope.

by Pseudonym

22" x 30"
hand screened, limited edition of 10 prints each

Shogun Primes A
2015

by Pseudonym

1600dpi inkjet test print of vector illustration
26"x40"

Phototactic Raspberry Moth
2015

by Pseudonym

Hand screened, three colour, limited edition of 10 prints each
Printed at Kid Icarus in Toronto
18"x24"

Salt Flock Bat
2015

by Pseudonym

1600dpi inkjet test print of vector illustration
22"x30"

Atlas

2014, magazine collage, paper, glue, cardboard, edition of 1
8"x12"

Slumber Party 

2014, magazine collage, paper, glue, cardboard, edition of 1
10"x12"

The Little Prince

2014, magazine collage, paper, glue, cardboard, edition of 1
11.5"x12"

Wasteland 

2014, magazine collage, paper, glue, cardboard, edition of 1
12"x12"

Distant early warning system (part 1)

2014, C print, editions of 3
40"x32"

 

Portrait photographed as rescan off a vintage cathode ray tube television. The image is recorded and recorded between two VHS decks until it degrades beyond recognition. The split second between being and non being is captured with a high speed shutter just before the screen turns blue, denoting signal loss. 

Featured in the solo exhibition Lethe Baptism at Neubacher Shor Contempory.

Distant early warning system (part 2)

2014, C print, editions of 3
40"x32"

 

Portrait photographed as rescan off a vintage cathode ray tube television. The image is recorded and recorded between two VHS decks until it degrades beyond recognition. The split second between being and non being is captured with a high speed shutter just before the screen turns blue, denoting signal loss. 

Featured in the solo exhibition Lethe Baptism at Neubacher Shor Contempory.

Gasp

2014, lenticular animated print, edition of 1
10"x10"

 

Series of photographs documenting the stages of decay due to VHS recording and re-recording. The portrait of an isolated audience, celebrity obsession and hysterical passion. The image decays into video noise when the view passes from left to right.

Featured in the solo exhibition Lethe Baptism at Neubacher Shor Contempory.

Scream

2014, lenticular animated print, edition of 1
10"x10"

 

Series of photographs documenting the stages of decay due to VHS recording and re-recording. The portrait of an isolated audience, celebrity obsession and hysterical passion. The image decays into video noise when the view passes from left to right.
 

Featured in the solo exhibition Lethe Baptism at Neubacher Shor Contempory.

All Oblivious Enmity

2014, lenticular animated print, edition of 1
10"x10"

 

Series of photographs documenting the stages of decay due to VHS recording and re-recording. The portrait of an isolated audience, celebrity obsession and hysterical passion. The image decays into video noise when the view passes from left to right.

Featured in the solo exhibition Lethe Baptism at Neubacher Shor Contempory.

We become what we behold

2014, lenticular animated print, edition of 1
24"x36"

 

Marshall Mcluhan cathode ray tube portrait. Series of photographs documenting the stages of decay due to VHS recording and re-recording. Portraits feature the dominant figures that shaped media history and our relationship with memory, language, transmission, and manipulation. The image decays into video noise when the view passes from left to right until it becomes a solid blue screen of analog crt pixels denoting signal loss and memory erasure. 
 

Featured in the solo exhibition Lethe Baptism at Neubacher Shor Contempory.

Truth is a Tale I am Telling Myself

2014, lenticular animated print, edition of 1
24"x36"

 

Brion Gysin cathode ray tube portrait. Series of photographs documenting the stages of decay due to VHS recording and re-recording. Portraits feature the dominant figures that shaped media history and our relationship with memory, language, transmission, and manipulation. The image decays into video noise when the view passes from left to right until it becomes a solid blue screen of analog crt pixels denoting signal loss and memory erasure.


Featured in the solo exhibition Lethe Baptism at Neubacher Shor Contempory.

Spectacle is the guardian of sleep

2014, lenticular animated print, edition of 1
24"x36"

 

Guy Debord cathode ray tube portrait. Series of photographs documenting the stages of decay due to VHS recording and re-recording. Portraits feature the dominant figures that shaped media history and our relationship with memory, language, transmission, and manipulation. The image decays into video noise when the view passes from left to right until it becomes a solid blue screen of analog crt pixels denoting signal loss and memory erasure. 


Featured in the solo exhibition Lethe Baptism at Neubacher Shor Contempory.

The map is not the territory

2014, lenticular animated print, edition of 1
24"x36"

 

Alfred Korzybski cathode ray tube portrait. Series of photographs documenting the stages of decay due to VHS recording and re-recording. Portraits feature the dominant figures that shaped media history and our relationship with memory, language, transmission, and manipulation. The image decays into video noise when the view passes from left to right until it becomes a solid blue screen of analog crt pixels denoting signal loss and memory erasure. 

 

Featured in the solo exhibition Lethe Baptism at Neubacher Shor Contempory.

Echo

2014, lenticular animated print, edition of 1
10"x10"

 

Series of photographs documenting the stages of decay due to VHS recording and re-recording. Photographs of studio audiences during live broadcasts, where their canned laughter is saved for future use. The laughter of the dead. The image decays into video noise when the view passes from left to right.


Featured in the solo exhibition Lethe Baptism at Neubacher Shor Contempory.

Root out the work of masonry

2014, lenticular animated print, edition of 1
10"x10"

 

Series of photographs documenting the stages of decay due to VHS recording and re-recording. Photographs of studio audiences during live broadcasts, where their canned laughter is saved for future use. The laughter of the dead. The image decays into video noise when the view passes from left to right.

Featured in the solo exhibition Lethe Baptism at Neubacher Shor Contempory.

Graves 

2014, lenticular animated print, edition of 1
10"x10"

 

Series of photographs documenting the stages of decay due to VHS recording and re-recording. Photographs of studio audiences during live broadcasts, where their canned laughter is saved for future use. The laughter of the dead. The image decays into video noise when the view passes from left to right.

Featured in the solo exhibition Lethe Baptism at Neubacher Shor Contempory.

Omega Generation (hands)

2013, video collage still, C print, edition of 1
48"x36"

Omega Generation (mouth)

2013, video collage still, C print, edition of 1
48"x36"

Death 

2013, digital collage, mounted on pine, coated with clear polyurethane
12"x12"

War 

2013, digital collage, mounted on pine, coated with clear polyurethane
12"x12"

Mars 

2013, digital collage, mounted on pine, coated with clear polyurethane
12"x12"

Symmetrical gesture mask on coral
computer illustrated, high res digital print
2019, by Pseudonym

24" x 24" framed (18" x 18" print)

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