2007 The Game
2007 Weird War Tales
2007 Ape vs. Ape*
2007 Pirates of Breakcore Island
2007 Life and Death
2006 In The Eye
2006 Shadowplay
2005 I Stole the Soul of Rock and Roll
2005 Fantasycore
2005 Eyecandy
2004 Master of the Universe*
2004 The Special Olympics*
2004 America’s Funniest Death Rattle*
2004 PsyTrance Sucks*
2004 Delete Your Self
2004 Goin’ Back to Kali
2004 Destro My Tokyo
2003 Dorian Gray
2003 Attack of The Clones
2003 Blackest Sabbath
2003 The Hymn to Thanateros*
2003 The Kraken
2003 I Luv On Your Grave
2002 Mercury
2002 Draw
2002 ‘ Trail of Kung Fu
2002 Vader Lives
2002 The Adversary
2002 Night of the Living Dead
2002 I.A.O.*
2002 The Tower
2002 PsychoPsycho*
2001 Architecture of Doom
2001 Mother May I Sleep With Danger?
2001 Apollo Shrapnel : Part 04
2001 Apollo Shrapnel : Part 03
2000 Apollo Shrapnel : Part 02
2000 Apollo Shrapnel : Part 01
2000 Matt : 15 : 9
2000 Restless < Wrath
2000 The Atari 2600 Series
2000 Station to Station
2000 Enter Thee Ministry
2000 Analogue vs. Digital*
1999 Collapse
1999 Germ
1999 Ra
1999 Womb
1999 Act Five
1999 Juggernaut
1997 Veer
1997 Catalyst*
1997 Happy Luck Fun
1997 6
1997 Pummel
1997 Scratch
1997 Restructuring A & B
1996 Wonton

The Adversary
The Tower Trilogy
3/3
2002 / 1:43
English, colour

The third and final remix in "The Tower Trilogy" reorders the preestablish-ed language of vengeance and failure to reso-nate with a new call to arms. Glorious praise for fanatical passion and the endless, unquen-chable conflict perpetuated by adversarial polar-ities unified by their blind hate.

In 1996 I began a trilogy in which a visual syntax could be developed over a series of iterations, each being more definitive than the last. A trilogy in which viewers would be forced to re-examine the same sampled vignettes in varying orders with varying tempos in order to familiarize them with the recurring associations. Mythologically, the curse of language has always been that which was once ordered and unifying, then torn asunder by a wrathful god. The resultant free associations and misinterpretations led to confusion, contempt and catastrophy.
The remix being appropriate to this for the same reason that it is a reinterpretation of an original gesture. With each iteration comes a refined phrasing of the visual statement, an aural/visual record that through multiplicity and alteration becomes clearer and more succinct, rather than obscured over time like so many other histories.

All videos are available for screening and most are available for purchase. If you're interested about pricing please contact me here.

Collaborations:
* Rko
* Tom Sherman
* FAMEFAME crew
* Michael Lane
* Ellie Chesnutt
* Jubal Brown
* Leslie Peters